toronto

Hayley Elsaesser

Hayley Elsaesser is a talented designer based in Toronto. Having brought her young brand from Australia, her fun and in-your-face designs are meant to make the wearer stand out (and feel amazing). In this episode, Hayley chats with Tokyo Smoke about what it means to create with no fear, and how to prioritize action as a way to overcome creative roadblocks.

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For the full article head to Tokyo Smoke's 'Smoke Sounds' here.

Words: Jahmal Padmore / Photo: Olivia Seally

PAOLO ROLDAN

With razor-sharp cheekbones and a smolder that could melt just about anything, it’s easy to see why supermodel Paolo Roldan is a favourite in the fashion world.

The Philippines-born, Toronto-bred model, fashion buyer, and budding stylist has appeared in the pages of GQ, Numéro China and i-D while walking the runways for the likes of Michael Bastian, 3.1 Phillip Lim (he counts designer Phillip Lim as a friend) and Givenchy, where he is often a regular. In fact, Roldan made his runway debut for the French fashion house in 2009 after a last minute casting call with creative director Riccardo Tisci. Roldan is now widely regarded as Tisci’s muse.

Betting that his good taste in fashion and company transcends into music, The Rhapsody e-mailed the supermodel to ask him a couple of questions about his musical journey. Roldan did not disappoint.

TR: Hey Paolo, can you tell us a bit about yourself?

PR: I was born in Quezon City, Pilippines. My family moved to Canada when I was 11 years old. I’m currently residing in Toronto, Canada and anywhere else my job takes me. I work as a full-time model and trying my hand at styling.

TR: How did you first encounter music?

PR: My parents have always been into music. My dad was in a band in his younger days and my mother was a self-proclaimed professional dancer. Both had a ton of Beatles always on rotation. They took us to watch musicals and a lot of parties. Music is an essential part of Filipino culture. I’d say 2 out of 3 people can belt out a tune at any given moment and almost everyone can cut a mean rug.

TR: Who gave you your first album? 

PR: My parents got me my first album on cassette tape. It was Bad by The legendary Michael Jackson.

TR: How does music tie in to your career, friendships, etc, and vice versa?

PR: Music gives me inspiration in every aspect of my life. It drives me to work harder, keep me chill, dance and let loose with my friends, reminisce about the past and look forward to the future. It also helps unite people…music is usually a starting point in starting a friendship/relationship with someone. It helps people to gauge another person’s spirit and personality. It’s like food…for the soul.

for the full article head to the Rhapsody.

Words: Portia Baladad / Photos: Olivia Seally

KILLA KELS

Kelsey Williams, a.k.a Killa Kels, might be the new kid on the block but don’t let that fool you. The Toronto-based DJ’s determination has driven her to learn everything she possibly can about music and the industry. She’s been working with Toronto mainstays DJ Agile and DJ Grouch to hone her craft and will soon be sharpening her business skills at the Recording Arts Academy’s Business Academy.

It looks like her efforts have been paying off; a little over a year since she began spinning professionally, Williams has been working steadily and making her way to becoming one of Toronto’s top DJs.

The Rhapsody checked in with the up-and-comer and got the scoop on her musical journey.

TR: Hey Kels, can you tell us a bit about yourself? 

KK: My name is Kelsey, I am a female DJ from west-end Toronto. My DJ name is Killa Kels. I’ve been DJing professionally for a little over a year now. Aside from DJing, I work two jobs in retail, and keep busy with my 5 year old son. I love being around my friends, good music, and good food!

TR: How did you first encounter music?

KK: I don’t exactly remember when my first encounter with music was, however I do have a baby book that my parents have filled out and kept over the years, and it says I really enjoyed music that was current to that time. It says I loved dancing to Michael Jackson, Janet Jackson, and New Kids On The Block.

TR: Who gave you your first album? 

KK: Far before I received my own album, I remember sneaking into my older brother’s room and stealing his CDs and having to remember to put it back in the exact same order I had found them. I would listen to the likes of Foxxy Brown, TLC, SWV, Method Man, Wu-Tang Clan, and more. As their music played, I would flip through the little booklet that came with CDs back then. I’d read about what inspired their albums and followed along singing the lyrics to each song. My first album of my own, however, was Mariah Carey’s #1s in cassette format when I was about 8. I don’t even remember who bought it for me, but that person definitely impacted my life greatly with that little cassette tape. I would listen to both sides on repeat every morning as I got ready for school, and every afternoon once I got home. To this day, every Mariah Carey ad lib and high-pitched run is ingrained in my memory to perfection.

for the full article head to the Rhapsody.

Words: Portia Baladad / Photos: Olivia Seally

CHRISTINA CHENG

ER: What do you do?

CC: I’m a freelance multimedia reporter/journalist, lifestyle blogger, men’s stylist, social media coordinator, copywriter and mother. I create content; tell stories, share experiences and live life through my many passions.


ER: Why East Room?

CC: East Room has become my home away from home. It has given me a safe space/outlet to buckle down, remain focused, get creative and turn my ideas and thoughts into solid form. I’m a night owl who tends to pull all-nighters a few days a week. As someone who holds many titles and has many passions, 24 hours in a day just isn’t enough, and East Room allows me to squeeze in more hours to make magic happen. The walls of East Room have heard all my ideas, even the wildest of them and they’re safe there.

 

 

 

ER: What are three things you need to do your job?

CC: I need my MacBook, my iPhone, and a few runs a week with my Nike Running crew to distress, regroup, and feel inspired.


ER: Do you feel like a freshman, sophomore or senior in your field?

CC: One thing I fear is stagnancy. If one remains stagnant, they are not growing, evolving; being challenged or flourishing by any means. In my creative field/journey, there is always going to be change and advancements. My fields of interest feeds the future. I will (and I hope to) always be relatable to a freshman in some areas, a sophomore in others and a senior in few. To me, success is to never stay sedentary and to constantly create and flourish with opportunities at hand with creative, like-minded individuals. This right here is being a freshman, a sophomore and a senior.

you can follow Christina here. You can find out more about East Room here.

As told to: Olivia Seally / Photos by: Michael Rousseau